theparisreview: “I rewrite my poems so often that I sometimes get mixed up about which version was finally published. I don’t want to let a poem go until I think I’ve got it honed down just to what it should be, and that involves all sorts of weird problems. One of them is that you overwrite it. You’ve got to know when to stop. Bach is the greatest of the human composers, but in my opinion Mozart is an angel. And one thing that makes him angelic is that he knows exactly when to stop. He knows when to shut up. And in doing that he gives you your own song.” —James Wright, The Art of Poetry No. 19
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theparisreview:

“I rewrite my poems so often that I sometimes get mixed up about which version was finally published. I don’t want to let a poem go until I think I’ve got it honed down just to what it should be, and that involves all sorts of weird problems. One of them is that you overwrite it. You’ve got to know when to stop. Bach is the greatest of the human composers, but in my opinion Mozart is an angel. And one thing that makes him angelic is that he knows exactly when to stop. He knows when to shut up. And in doing that he gives you your own song.”

—James Wright, The Art of Poetry No. 19

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